When Ed Panar moved to Los Angeles, he opted not to get a car. Or a high-end camera. For two years. His compact was, "quick, cheap and direct, and that seemed to suit L.A." The color photographs collected in Golden Palms reflect Panar's walking life there, with the cumulative effect of a subtly funny tour through the city's lost back streets--parts of contemporary Los Angeles that most people would simply speed past in their cars. His subjects, including "The 405," "Near Ventura Boulevard," "Tuesday Afternoon," "Summer" and "Coming Home," were often, he says, "like cartoon characters I'd find while I was walking around, like the.
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